Tuesday, November 22, 2011
The Solitary Stroller and the City
In chapter 11 of Wanderlust: A History of Walking, Rebecca Solnit discusses how pedestrians use the city. This ranges from prostitution to leisurely strolls. When reading this chapter I was drawing relations to the practice of Parkour. A city always contains more than any inhabitant can know and a great city always makes the unknown and the possible spurs to the imagination. People who practice parkour may already know the cityscape really well or may have never seen the area before once they begin using the city. Their focus is "how can I use this space to move around?" The urbanite is on the lookout for particulars, for opportunities, individuals, and supplies. Guard rails turn into tight-ropes, walls are climbed, ally-ways are a place to jump from wall-to-wall. The city is transformed into a playground. Solnit discusses the problem of American cities becoming more and more like enlarged suburbs, controlled and segregated designed for no interaction. Parkour challenges this by providing a new function for urban planning. Its opportunity to go against the system of control. Solnit goes on to say that Urban walking has always been a shady business, easily turning into soliciting, rioting, protesting, loitering etc... and parkour certainly is seen by many as shady business. This leaves me with the question why people are against parkour or see it as a problem. Is it disruptive to the city? somehow interfering? My only concern with the sport is safety. Have you seen what those people can do!?!
Thursday, November 10, 2011
Ground Beneath My Feet
Tuesday, October 25, 2011
Walking The Spirit
Upon researching ideas for a walking project I became interested in Meditative Walking. Meditative walking is about mindful experience of walking while trying to keep our awareness involved with the experience of walking. There can be many forms of this.
How does this differ from seated meditation?
An obvious difference is that our eyes are open while we are walking. We are not withdrawing our attention from the outside world to the same extent that we do when we are doing the Mindfulness of Breathing or Metta Bhavana (development of lovingkindness) practices. We have to be aware of things external from ourselves (objects we might trip over, other people that we might walk into) We become more intouch with nature, feeling the wind in our hair, sun on our skin etc.. For a lot of people, myself included it is an easier form of mediation. I feel it hard to concentrate, my mind wonders, I start complaining about the little aches in my back and knees from sitting up straight and am too distracted from the task at hand. When your body is in motion, it is generally easier to be aware of it compared to when you are sitting still. For those with a restless mind, walking mediation can be used every day during routine tasks from walking to campus or going for a walk to the grocery store. (One benefit of not being able to drive is I have lots of time to practice this!)
Getting Started
You can start by practicing in your home if you’re a bit nervous about trying outside. There is obviously a lot more distractions with people, traffic etc...
1. Relax your body and walk slowly with your spine upright. Relax your arms and hands.
2. Pay attention to the feeling of your feet touching the floor. The sensations in the feet are your meditation object. The feet carry the weight of your entire body which puts a lot of pressure on them. What does that feel like? Give relaxed attention to any sensation in the feet. Focus on one foot at a time.
3. When you reach the end of the room, stand still for awhile and feel the sensations in both feet, including the pressure against the floor and possible tingling. This is a good moment of standing meditation.
4. Turn around and walk slowly while giving relaxed attention to the sensations in your feet. Only focus on one foot at the time. The souls of the feet are sensitive not unlike the palms
Tips
• Don’t try too hard, just relax. Look straight ahead, not at your legs or feet. Relax and feel the body movements.
• If you are having trouble connecting to the ground, just go barefoot
Credits and Helpful Links
http://www.spiritedwalker.com/
http://www.controlstress.net/stress/reduce-stress-with-walking-meditation/
Monday, October 10, 2011
Happy Thanksgiving
Friday, September 30, 2011
To be Continued?

As part of an assignment I had done last year, I had photographed every surface my feet made contact for the day from the shower floor, to carpet to sidewalk, cement stairs etc... I then layered the photos into two images. One being the hard surfaces and the other the soft. I wanted to see if the textures could be differentiated especially since there was not an equal amount of hard and soft surfaces. I wish to continue something like this, perhaps where i do composite all the photos into one image to see what that gives me or to analyze surface texture in another way.
Walk This Way



Today, another excursion. This time inside! We had traveled to Markham to visit Pacific Mall- North America's largest Chinese mall. I had been there a few times prior, but never with a mission. One of today's missions was to create a collection. I had a clear idea that I would take business cards from all the stores and restaurants. Some places did not offer so in the end I ended up with 49 business cards. I felt sort of awkward walking in the stores asking for a business card and just walking away. I got tired of repeating the same thing as well as I was sick so asking turned into just taking. They're free right? It was still very strange I do not think I have ever asked for business cards or even taken one unless the guy who helped me with my cell phone gave me his. I really enjoy my collection. Theres such a variety of patterns and colours and frankly, some are just cute.
The second objective of the day was to walk against the plan. Essentially this was to steer the visitors in a prescribed way. I would change a 'normal' behaviour and so would they. I would walk around the mall then take a seat. For this, I sat on the floor, with feet on the bench/chair. Some instances I sat beside someone. Some people would either stay, laugh or walk away. No one ever said anything.
Below an Interview with Erwin Wurm.
Our exersion was quite fun and I had accomplished what I wanted to this day. With time left over, I wondered around the mall and came across a sculpture. Not quite a 1 Minute sculpture this time. Maybe 5? But still wonderful to see. Three benches stacked in a walk-way. Confusion struck custodial staff and myself and a friend were 'accused' of doing this. Security asked us if we knew anything and in all honesty we did not. We walked away to see some friends having a tea party in one of the pathways. Apparently this is threatening dangerous behaviour and security broke up this riot. Our class had a talkin' to courtesy of one security guard who thought he was serving and protecting the public? Anyways we were escorted out to the mall in perfect timing with our bus waiting to take us back to the University.
Friday, September 23, 2011
Parkour

I did some research on Parkour for an assignment, not knowing much about it. I was particularly drawn to this sport for it's use of urban space as a playground.
So...What is Parkour?
It is considered as a discipline or art in which the practitioner called the tracuer (a person who draws a line or path) adopts other ways that go against architectural or cultural norms. The tacuer choses their own way thought the space and runs along a path set out for them self while clearing any obstacles that may arise as quickly and efficiently as possible, focusing on a controlled execution of the movements.
Parkour has history leading back to start of the 20th century in the training philosophy of the French Naval Officer Georges Hebert (1875-1957). Hebert was impressed by the physical and mental abilities of the people from the African continent, who he had met during his travels. While teaching at University of Reims in France, Hebert led the groundbreaking physical lifestyle. He was the first to popularize the training of movement techniques and physical training on an obstacle course for non-military purposes.
Art of Displacement
L'art du deplacement was intitally used as a synonym for the word Parcours and heavily influenced by the French group Yamakasi, taken from the movie - The Samurai of the Modern Age 2001.
The current spelling with a "k" and without the "s" arose from a separation from the existing terms (le) parcours and l'art du deplacement. This movement first gained its widest public attention courtesy of a video by David Belle (original member of Yamakasi) and his brother which was shown to a French TV show in May 1997.
Thursday, September 22, 2011
Enchanted Forest


Sunday, September 18, 2011
A Walk in the Park



On Thursday September 15, I took a trip to Oakville Galleries where I had the opportunity to experience Janet Cardiff and George Bures Miller, Audio walk - A Large Slow River. It was a cool windy day, but the sun was shining, a fitting climate for the context of the walk. Much of the audio walk deals with the natural elements, especially water. The Oakville Galleries provides the perfect location to create the experience as it sits along Lake Ontario. There are mentions of a pond, river and lake which you explore first-hand in the walk. The walk begins in the gallery, as you listen to the soundtrack you are immediately greeted and told to follow the woman speaking. You are lead through the gardens as you follow her walking, and pausing to talk to you. The sounds aside from the primary voice have an entrapping quality. You find yourself under the control of the voice(s), as if you are with this person and she is only speaking to you. From the footsteps, to children speaking in the background- you begin to think there are people around you making these sounds. (I found myself taking of the headset to sort the noises from the audio from the outside elements.) The piece has quite a personal quality to it. Memories of family, friends and strangers are shared and sparked from so many varying sights and sounds. There is story within everything from the rose garden to wood chips.
I would suggest experiencing the walk with the audio and without to compare your experience in the space.
The following link provides background information of piece according to Janet Cardiff.
http://www.cardiffmiller.com/artworks/walks/largeslow_river.html
Sunday, September 11, 2011
First Step



I have become used to relying on public transit for getting around the city Guelph, ignoring the fact there are a number of trails I could take to get me around the city. On September 8th I decided to take a trail I have often walked past or caught a glimpse of from the bus. I had no idea what the objective of my walk would be. It would be discovered along the way. I began my walk by taking out my camera scanning the area for anything of interest, plants, trees, flowers etc... When I was taking these photos I was unimpressed with what I was capturing until I began capturing the industrial objects integrated with nature. I found the contrast between the natural and the man-made to be quite appealing. The colours from the plants and weeds were complementing the colours on the pipes, and electrical boxes. As well as the similar shapes and colours.
It was impossible to escape the human impact in our surroundings. As I was walking down the designated concrete path, I saw quite a bit of garbage tangled in branches and overflowing from garbage cans. I was hoping to get an experience where I felt more connected to nature and distanced myself from the city. This was not the case at all. I did appreciate the more scenic and quite route home, however escaping the sights of houses peeking over the trees, and telephone wires was impossible. My walk home led me to think about the paths constructed for humans, the placement and removal of trees, flowers and trails leading from the main path. The extra 30 minutes I spent taking this alternative route home made me think about the human impact on our surroundings and the construction of paths which dictate our ways of travel.



